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2TJ50R8–Senior gay multiracial couple, taking a selfie photo while preparing lunch together in the kitchen.
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2XFAGK9–Young Asian queer people kiss embracing in urban park slow motion.

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2W1758K–Asian Gay couple standing and hugging near the window at home. The two form a tight if unusual friendship, which is jeopardised as the officer’s duty threatens Maximo’s family.

Nathan Lopez gives a wonderfully guileless performance as Maximo, who grows from the dizzy kid dressing up as Miss World at the start of the film to the mature adolescent who walks off to a brave new future at the end, in a knowing nod to The Third Man (1949).

Romantic men enjoy the fresh flowers together on a date, promoting

2TXM1N8–Asian Gay couple standing and hugging room at home. As so often with Wong Kar-wai, the last shot, accompanied by a brassy cover of the title song, is unforgettable.

Gohatto (1999)

Director: Nagisa Oshima

‘Gohatto’ means ‘taboo’ in Japanese, and here the forbidden subject is homosexuality.

But best of all is Tropical Malady, one of the most mesmerising and surreal gay love stories ever told.

A soldier and a country boy fall for each other and pay regular visits to the Thai jungle. Despite a low budget, it’s a beautiful and highly provocative work. After years of suffering from depression, he killed himself in 2003.

Buy Farewell My Concubine on BFI dual format edition (Blu-ray/DVD)

East Palace, West Palace (1996)

Director: Zhang Yuan

Power play is a major theme of this intense drama, in which a gay man is apprehended while cruising in a park and spends the night in a police station under the stern eye of the arresting officer.

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2XHWJTE–Two happy Asian LGBT friends sitting and smiling while looking at a smartphone in a park. They, too, begin a relationship.

It follows the friendship of two men, brought up through the strict training of the Peking Opera School. Speechless (2012), another strange romance filmed in China, shares similar themes and is available on BFI Player.

LGBTQIA+South east Asian cinema

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2XHWJYE–Cheerful young asian gay men resting on pond bank in urban park, watching video on laptop.

Gay family using mobile phone

2W145EC–Asian gay couple homosexual cooking together in the kitchen prepare fresh vegetable make organic salad healthy food. They embark on a journey to track down the child’s mother, and reveal details of their past lives as they traipse through snowy Tokyo.

It’s unclear in the story whether Hana is a cross-dressing gay man or a trans woman.

Gohatto is especially interesting given Oshima’s criticism of the work of Akira Kurosawa. Happy Together, which won him the best director award at Cannes, is one of his best, with a terrific central performance from Leung as a young, insecure man yearning for romance. A police officer investigates the family’s crimes, and Maximo develops a deep crush on him.

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Funeral Parade of Roses (1969)

Director: Toshio Matsumoto

Hold on tight, as Funeral Parade of Roses takes you on an outrageous journey through sex, drugs, drag and Oedipal horror, in a weird and rather terrifying walk on the wild side. Sexual jealousy inevitably rears its head, and violence ensues.

Unorthodox erotic obsession permeates the best-known works of Nagisa Oshima, notably the ultra-controversial Ai no corrida (1976), with its graphic scenes of unsimulated sex, and the homoerotic atmosphere of the prison camp in Merry Christmas, Mr.

Lawrence (1983). Numb with grief, Ricky travels to his lover’s native Switzerland, and meets Ueli (Bulling again), who looks exactly like Pascal. The groundbreaking Fish and Elephant (2001) is hard to find, Blue Gate Crossing (2002) is out of print, while All about Love (2010) and the award-winning Spider Lilies (2006) didn’t get a British DVD release.

But is Ueli’s resemblance to Pascal mere coincidence?

The non-linear narrative can be tricky to follow, and the film demands more than one viewing to tease out its mysteries. A queer fairytale.

Tropical Malady (2004)

Director: Apichatpong Weerasethakul

On the festival circuit, Apichatpong ‘Joe’ Weerasethakul has established himself as Thailand’s leading director, having scooped multiple prizes at Cannes, including the Palme d’Or for Uncle Boonmee Who Can Recall His Past Lives (2010).

The two start a passionate relationship, but tragedy strikes. Gay rights, and representation of gay men on screen, vary hugely from country to country, offering a rich diversity of fascinating movies.