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Her attention to the later period, including Ptolemaic art, shows for the first time how Egyptian art is a continuous phenomenon, changing to meet the needs of different times, right down to the eclipse of ancient Egyptian culture. These are the puzzles Gay Robins explores as she examines the objects of Egyptian art--the tombs and wall paintings, the sculpture and stelae, the coffins, funerary papyri, and amulets--from its first flowering in the Early Dynastic period to its final resurgence in the time of the Ptolemies.
In its scope, its detail, and its eloquent reproduction of over 250 objects from the British Museum and other collections in Europe, the United States, and Egypt, this volume is without parallel as a guide to the art of ancient Egypt. Why did they invest such vast wealth and effort in its production?
The Art of Ancient Egypt - Softcover
Synopsis
THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION..
Spanning three thousand years, her book offers a thorough and delightfully readable introduction to the art of ancient Egypt even as it provides insight into questions that have long perplexed experts and amateurs alike.
The Art of Ancient Egypt
The art of ancient Egypt has never lost its power to inspire fascination and awe.
What did art, and the architecture that housed it, mean to the ancient Egyptians?
From the awesome grandeur of the great pyramids to the delicacy of a face etched on an amulet, the spellbinding power of the art of ancient Egypt persists to this day. She explores the different functions of artistic products in temples, tombs, and everyday life, and stresses the importance of understanding them within the context for which they were originally designed.
Illustrated with over 250 remarkable objects from collections in Europe, the United States, and Egypt, this book traces the course of Egyptian art from its sudden initial flowering to its final resurgence during the rule of the Ptolemies.
Gay Robins, who brings to the subject many fresh insights based on firsthand study in Egypt, explains how the ancient artists developed an artistic system that was perfectly adapted to expressing the Egyptians’ world view, encapsulated in their religious and funerary beliefs.
What did art, and the architecture that housed it, mean to the ancient Egyptians?
"synopsis" may belong to another edition of this title.
THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.. With remarkable sensitivity to the complex ways in which historical, religious, and social changes are related to changes in Egyptian art, she brings out the power and significance of the image in Egyptian belief and life.
This beautifully illustrated book conducts us through the splendors of this world, great and small, and into the mysteries of its fascination in its day as well as in our own. Her attention to the later period, including Ptolemaic art, shows for the first time how Egyptian art is a continuous phenomenon, changing to meet the needs of different times, right down to the eclipse of ancient Egyptian culture.
Over some three thousand years the great civilization of the Nile Valley produced some of the finest works of art the world has ever known, whether exquisitely painted on tomb walls, carved in stone or wood, or cast in metal.
From the awesome grandeur of the great pyramids to the delicacy of a face etched on an amulet, the spellbinding power of the art of ancient Egypt persists to this day.
Why did they invest such vast wealth and effort in its production? These are the puzzles Gay Robins explores as she examines the objects of Egyptian art--the tombs and wall paintings, the sculpture and stelae, the coffins, funerary papyri, and amulets--from its first flowering in the Early Dynastic period to its final resurgence in the time of the Ptolemies.
This beautifully illustrated book conducts us through the splendors of this world, great and small, and into the mysteries of its fascination in its day as well as in our own. In its scope, its detail, and its eloquent reproduction of over 250 objects from the British Museum and other collections in Europe, the United States, and Egypt, this volume is without parallel as a guide to the art of ancient Egypt.